Musician, radio geek, microcontroller enthusiast.

cultcompound

1/1 unique remix performed by Arduino Uno Radio and recorded at the cult compound

The Solar Ranch was the remote desert outpost of Georgina "Jean" Brayton’s Solar Lodge, a cult whose story is hard to believe. The group had a peripheral relationship to the Herman Ostrow School of Dentistry at the University of Southern California, which is, painful? Located in neighborhoods around USC, the cult owned mansions which were both a source of income, and home for cult members. Long term income came from one graduate’s dental practice, occult bookstores, and probably informal trade in lysergic acid diethylamide.

Founded in the mid 1960s and lingering into the 1980s, it was yet another cult that was likely innocuous, until it wasn’t. LSD was used as a sacrament in ritual magick. Early criminal activity involved the theft of original papers and manuscripts written by Aleister Crowley, the occultist and founder of the main Thelema sect, the Ordo Templi Orientis. In addition to businesses in Los Angeles, the cult also ran the small town of Vidal, California. Cult members toiled in the hotel, restaurant and gas station, while living in informal housing at the nearby Solar Ranch compound. The child of a cult member started a fire, destroying the stolen Crowley texts. What followed became known as the “Boy in the Box” scandal. The cult strictly confined the child, drawing the attention of local authorities. Many cultists were arrested and served some months, while others fled to Mexico, continuing their ritual magick practice and operating a pig farm. The remaining charges were eventually dropped or dismissed with a fine, after which the Solar Lodge entered an even darker period. Brayton moved any remaining cult members to Las Vegas where they now slaved away in lower key commerce, the contract catering business. It was during this time that thought, behavior, information and emotional control became most intense. Although labor abuse was certainly an aspect of the group while in Los Angeles and Vidal, previous members were largely free to communicate outside of the cult, and to come and go as they pleased. Once in Las Vegas, the cult pattern of limiting contact with families and friends became severe, and labor trafficking became more central to Brayton’s business. The cult dwindled over time, especially after Brayton’s death.

My arrangement remixes and transforms themes drawn from what little is known about songs used in Thelemic worship. For a culturally appropriative faith, drawing on ancient Egyptian and near east mysticism, Christian musical traditions are the primary sources for the Thelema songbook. At least to the degree said songbook is known. The music tends toward the magisterial, haughty, sententious, and ethereal veins of Christian music, yet also integrates cheerful popular tunes. The Cry of the Phoenix is drawn from Lutheran liturgical music and a Gregorian chant by Lowell Mason (1792-1872), as originally arranged by a Thelemic choral group known as Unknown Rivers. The Harlot, and The Horus Avenger, are also songs by this vocal group who were active in Austin Texas from the mid 1990s into the 2000s, as part of the Scarlet Woman Lodge O.T.O. The syncopatic, harmonic transition by myself is used between these songs as well, (see transition 26), with which I try to lend further grandiosity. There are some questioning bass growls as the three songs are generatively remixed by the C program on the Arduino FM Radio.

There was a real child involved in the Boy in the Box case, but that person did not want to be known in his adult life. Honoring this, my arrangement simply recalls the The Solar Lodge and their remote Solar Ranch: a reminder of dark clouds over a sunny place. Frator Shiva explains the history of The Solar Lodge convincingly in his wild book "Inside Solar Lodge - Outside the Law", 2007, defending the early days of the group as legitimate magical practice, and condemning the later Las Vegas days as a full blown cult phase. I note that Solar Lodge was not formally accepted as a charter by the O.T.O. My mention of the Scarlet Woman Lodge is not to make any such assertion, nor to associate that lodge with any kind of cult activity. It is only to give their musicians credit for their arrangements, which I have rearranged from multiple parts to counterpoint. (Counterpoint because that is all an Arduino Uno can practically handle, artificial constraints are something I am working though here.)

My interest is in the potential of situated music, pirate radio, reflecting on desert cult compounds, and in a broader sense a decorated experience of the remote American West, trying to think through a rich history of dreamers, risk takers, prophets, crossers, hermits, fugitives, miners, and everyone else who lives down a long dirt road on some kind of exodus. Their psychopathy, desperation, and illusions converging on delusion, and other desert weird.

proof of work: https://www.youtube.com/watch?v=3023QbLvF88

"Harlot, Avenger, Phoenix" - Themes and Variations for the Solar Ranch #1

1/1 unique remix performed by Arduino Uno Radio and recorded at the cult compound

The Solar Ranch was the remote desert outpost of Georgina "Jean" Brayton’s Solar Lodge, a cult whose story is hard to believe. The group had a peripheral relationship to the Herman Ostrow School of Dentistry at the University of Southern California, which is, painful? Located in neighborhoods around USC, the cult owned mansions which were both a source of income, and home for cult members. Long term income came from one graduate’s dental practice, occult bookstores, and probably informal trade in lysergic acid diethylamide.

Founded in the mid 1960s and lingering into the 1980s, it was yet another cult that was likely innocuous, until it wasn’t. LSD was used as a sacrament in ritual magick. Early criminal activity involved the theft of original papers and manuscripts written by Aleister Crowley, the occultist and founder of the main Thelema sect, the Ordo Templi Orientis. In addition to businesses in Los Angeles, the cult also ran the small town of Vidal, California. Cult members toiled in the hotel, restaurant and gas station, while living in informal housing at the nearby Solar Ranch compound. The child of a cult member started a fire, destroying the stolen Crowley texts. What followed became known as the “Boy in the Box” scandal. The cult strictly confined the child, drawing the attention of local authorities. Many cultists were arrested and served some months, while others fled to Mexico, continuing their ritual magick practice and operating a pig farm. The remaining charges were eventually dropped or dismissed with a fine, after which the Solar Lodge entered an even darker period. Brayton moved any remaining cult members to Las Vegas where they now slaved away in lower key commerce, the contract catering business. It was during this time that thought, behavior, information and emotional control became most intense. Although labor abuse was certainly an aspect of the group while in Los Angeles and Vidal, previous members were largely free to communicate outside of the cult, and to come and go as they pleased. Once in Las Vegas, the cult pattern of limiting contact with families and friends became severe, and labor trafficking became more central to Brayton’s business. The cult dwindled over time, especially after Brayton’s death.

My arrangement remixes and transforms themes drawn from what little is known about songs used in Thelemic worship. For a culturally appropriative faith, drawing on ancient Egyptian and near east mysticism, Christian musical traditions are the primary sources for the Thelema songbook. At least to the degree said songbook is known. The music tends toward the magisterial, haughty, sententious, and ethereal veins of Christian music, yet also integrates cheerful popular tunes. The Cry of the Phoenix is drawn from Lutheran liturgical music and a Gregorian chant by Lowell Mason (1792-1872), as originally arranged by a Thelemic choral group known as Unknown Rivers. The Harlot, and The Horus Avenger, are also songs by this vocal group who were active in Austin Texas from the mid 1990s into the 2000s, as part of the Scarlet Woman Lodge O.T.O. The syncopatic, harmonic transition by myself is used between these songs as well, (see transition 26), with which I try to lend further grandiosity. There are some questioning bass growls as the three songs are generatively remixed by the C program on the Arduino FM Radio.

There was a real child involved in the Boy in the Box case, but that person did not want to be known in his adult life. Honoring this, my arrangement simply recalls the The Solar Lodge and their remote Solar Ranch: a reminder of dark clouds over a sunny place. Frator Shiva explains the history of The Solar Lodge convincingly in his wild book "Inside Solar Lodge - Outside the Law", 2007, defending the early days of the group as legitimate magical practice, and condemning the later Las Vegas days as a full blown cult phase. I note that Solar Lodge was not formally accepted as a charter by the O.T.O. My mention of the Scarlet Woman Lodge is not to make any such assertion, nor to associate that lodge with any kind of cult activity. It is only to give their musicians credit for their arrangements, which I have rearranged from multiple parts to counterpoint. (Counterpoint because that is all an Arduino Uno can practically handle, artificial constraints are something I am working though here.)

My interest is in the potential of situated music, pirate radio, reflecting on desert cult compounds, and in a broader sense a decorated experience of the remote American West, trying to think through a rich history of dreamers, risk takers, prophets, crossers, hermits, fugitives, miners, and everyone else who lives down a long dirt road on some kind of exodus. Their psychopathy, desperation, and illusions converging on delusion, and other desert weird.

proof of work: https://www.youtube.com/watch?v=3023QbLvF88


"Harlot, Avenger, Phoenix" - Themes and Variations for the Solar Ranch #2

"Harlot, Avenger, Phoenix" - Themes and Variations for the Solar Ranch #3

"Harlot, Avenger, Phoenix" - Themes and Variations for the Solar Ranch #4

"Harlot, Avenger, Phoenix" - Themes and Variations for the Solar Ranch #5

"Harlot, Avenger, Phoenix" - Themes and Variations for the Solar Ranch #6

"Harlot, Avenger, Phoenix" - Themes and Variations for the Solar Ranch #7

"Harlot, Avenger, Phoenix" - Themes and Variations for the Solar Ranch #8

The music:
1) Vocoder Intro - Live in Victory!
2) Dice Dirge - Leave it all in Jesus' hands!
3) Harmonic Dirge - Controlled, ritual breathing of the Sacrament of SARS-CoV-2
4) Final Dirge for the willful Covid dead

Generative semi-random low spec FM radio music from the compound where the sacrament was taken in prayer, and close proximity.
*Recorded on location from 87.9 FM featuring the glitcher of the new transmitter design*

First as airdrop to those who hold the 0.1 tez https://www.8bidou.com/r_item/?id=77 at the point in 2022 when I decide to drop them.

That is SHIKAKU #77 24x24 color on 8bidou, in time you will get this Our Valley Death Cult Community Edition too, if you hodl.

Everyone holding the 8bidou nft above at the time when I copy the addresses, sometime in 2022, will get this nft too.
Not for sale on teia, at least until 2023, or by flippers.


Our Valley Death Cult Community Edition: Camera Gazing

This work is for Ian Thorson and Lama Christie. Christie lost her husband during a 3 year, 3 month and 3 day silent meditation retreat at a remote religious compound in Arizona. The couple had to make a second retreat after being expelled from the main group, for what I take as a largely bullshit overreaction complicated by personal matters. After expulsion, the couple decided to move to a nearby cave, high on a mountainside, to complete their temporal commitment. An exhausting part of their experience was the long trip up and down the mountain, to retrieve food and water left by sympathetic members of the monastery. The area had recently seen chilly late winter nights and clement, comfortable days, but as April turned toward May, the malevolent desert heat was returning. The late April temperatures, reported in the 90s (32C and higher), became too much for their weakened condition. Ian had become unable to make the supply run as starvation and dehydration drained his strength. He passed from exposure on April 22. Lama Christie was rescued.

Although some have called the group a cult, I avoid doing so. Theirs is a mainstream religion. There is little evidence of behavior control, information control, thought control, or emotional control. There is no fealty to bizarre conspiracy theories or populist demagogues. But through their beliefs, and an organizational clusterfuck that saw the pair expelled, Thorson and Christie joined a sad list of seekers who paid a heavy price for their metaphysics. Most of this series is about unarguably destructive cults, but in this case I will just describe this particular organization as, cult adjacent.

Ian Thorson was a remarkable human being, a fearless world traveler, seeker, and pacifist. Installing this work actually became quite emotional for me. While on site, I kept imagining he drank and ate less than he needed in selflessly caring for Christie. I felt based on my readings that he was that kind of person. I can’t know if he gave his life in the way I imagined, but I felt that while on site.

I intentionally put myself in a situation where my experience of the place would be slightly analogous to theirs. This felt conceptually important! I fasted during the three days it took me to carry equipment up the mountain, and to build the station. Due to the remoteness of the location, as well as topographic considerations inherent in not trespassing on monastery property, I developed fatigue and dizziness. This minor health impact, the long duration of the piece, and honestly battery life limited the number of recordings I could make at the site. As with all of the work in this series, the Arduino micro-controller will never perform the work the same way twice, so each version is even more unique than any of those famous depressed primate NFTs. As I was unable to make more on-site recordings during my time there, not as many NFTs are available as in previous projects in the series.

This is an experimental electronic music and site-specific work. I imagine it as a musique descriptive representation of Thorson and Christie’s long days and nights against gravity, solar radiation, strong winds, hard sleeping surface, malnourishment, dehydration, and Arizona's wide daily highs and lows. Also the tiring trips up and down the mountain. Then an early heatwave. Exposed, falling into illness, recovering, rising, depleting again. Incessant gravity, increasing heat. The duration and the way this music really beats down on the listener is like the elements beating down on these seekers. I was able to coax two exhausting square waves out of a 2K RAM potato. This work is quite different from the other projects in the series, in that I am not working through conceptual arrangements of traditional liturgical music.

This is a composition. My own liturgical dirge, dirge, dirge. The constraints of the Arduino helped me write this for Thorson and Christie’s sad tragedy.

Proof of work: https://www.youtube.com/watch?v=MYCm6RWUTmU


Dirge for Ian Thorson and Lama Christie #1

Dirge for Ian Thorson and Lama Christie #2

Dirge for Ian Thorson and Lama Christie #3

This work is for Ian Thorson and Lama Christie. Christie lost her husband during a 3 year, 3 month and 3 day silent meditation retreat at a remote religious compound in Arizona. The couple had to make a second retreat after being expelled from the main group, for what I take as a largely bullshit overreaction complicated by personal matters. After expulsion, the couple decided to move to a nearby cave, high on a mountainside, to complete their temporal commitment. An exhausting part of their experience was the long trip up and down the mountain, to retrieve food and water left by sympathetic members of the monastery. The area had recently seen chilly late winter nights and clement, comfortable days, but as April turned toward May, the malevolent desert heat was returning. The late April temperatures, reported in the 90s (32C and higher), became too much for their weakened condition. Ian had become unable to make the supply run as starvation and dehydration drained his strength. He passed from exposure on April 22. Lama Christie was rescued.

Although some have called the group a cult, I avoid doing so. Theirs is a mainstream religion. There is little evidence of behavior control, information control, thought control, or emotional control. There is no fealty to bizarre conspiracy theories or populist demagogues. But through their beliefs, and an organizational clusterfuck that saw the pair expelled, Thorson and Christie joined a sad list of seekers who paid a heavy price for their metaphysics. Most of this series is about unarguably destructive cults, but in this case I will just describe this particular organization as, cult adjacent.

Ian Thorson was a remarkable human being, a fearless world traveler, seeker, and pacifist. Installing this work actually became quite emotional for me. While on site, I kept imagining he drank and ate less than he needed in selflessly caring for Christie. I felt based on my readings that he was that kind of person. I can’t know if he gave his life in the way I imagined, but I felt that while on site.

I intentionally put myself in a situation where my experience of the place would be slightly analogous to theirs. This felt conceptually important! I fasted during the three days it took me to carry equipment up the mountain, and to build the station. Due to the remoteness of the location, as well as topographic considerations inherent in not trespassing on monastery property, I developed fatigue and dizziness. This minor health impact, the long duration of the piece, and honestly battery life limited the number of recordings I could make at the site. As with all of the work in this series, the Arduino micro-controller will never perform the work the same way twice, so each version is even more unique than any of those famous depressed primate NFTs. As I was unable to make more on-site recordings during my time there, not as many NFTs are available as in previous projects in the series.

This is an experimental electronic music and site-specific work. I imagine it as a musique descriptive representation of Thorson and Christie’s long days and nights against gravity, solar radiation, strong winds, hard sleeping surface, malnourishment, dehydration, and Arizona's wide daily highs and lows. Also the tiring trips up and down the mountain. Then an early heatwave. Exposed, falling into illness, recovering, rising, depleting again. Incessant gravity, increasing heat. The duration and the way this music really beats down on the listener is like the elements beating down on these seekers. I was able to coax two exhausting square waves out of a 2K RAM potato. This work is quite different from the other projects in the series, in that I am not working through conceptual arrangements of traditional liturgical music.

This is a composition. My own liturgical dirge, dirge, dirge. The constraints of the Arduino helped me write this for Thorson and Christie’s sad tragedy.

Proof of work: https://www.youtube.com/watch?v=MYCm6RWUTmU

Dirge for Ian Thorson and Lama Christie #4

Dirge for Ian Thorson and Lama Christie #5

This work is for Ian Thorson and Lama Christie. Christie lost her husband during a 3 year, 3 month and 3 day silent meditation retreat at a remote religious compound in Arizona. The couple had to make a second retreat after being expelled from the main group, for what I take as a largely bullshit overreaction complicated by personal matters. After expulsion, the couple decided to move to a nearby cave, high on a mountainside, to complete their temporal commitment. An exhausting part of their experience was the long trip up and down the mountain, to retrieve food and water left by sympathetic members of the monastery. The area had recently seen chilly late winter nights and clement, comfortable days, but as April turned toward May, the malevolent desert heat was returning. The late April temperatures, reported in the 90s (32C and higher), became too much for their weakened condition. Ian had become unable to make the supply run as starvation and dehydration drained his strength. He passed from exposure on April 22. Lama Christie was rescued.

Although some have called the group a cult, I avoid doing so. Theirs is a mainstream religion. There is little evidence of behavior control, information control, thought control, or emotional control. There is no fealty to bizarre conspiracy theories or populist demagogues. But through their beliefs, and an organizational clusterfuck that saw the pair expelled, Thorson and Christie joined a sad list of seekers who paid a heavy price for their metaphysics. Most of this series is about unarguably destructive cults, but in this case I will just describe this particular organization as, cult adjacent.

Ian Thorson was a remarkable human being, a fearless world traveler, seeker, and pacifist. Installing this work actually became quite emotional for me. While on site, I kept imagining he drank and ate less than he needed in selflessly caring for Christie. I felt based on my readings that he was that kind of person. I can’t know if he gave his life in the way I imagined, but I felt that while on site.

I intentionally put myself in a situation where my experience of the place would be slightly analogous to theirs. This felt conceptually important! I fasted during the three days it took me to carry equipment up the mountain, and to build the station. Due to the remoteness of the location, as well as topographic considerations inherent in not trespassing on monastery property, I developed fatigue and dizziness. This minor health impact, the long duration of the piece, and honestly battery life limited the number of recordings I could make at the site. As with all of the work in this series, the Arduino micro-controller will never perform the work the same way twice, so each version is even more unique than any of those famous depressed primate NFTs. As I was unable to make more on-site recordings during my time there, not as many NFTs are available as in previous projects in the series.

This is an experimental electronic music and site-specific work. I imagine it as a musique descriptive representation of Thorson and Christie’s long days and nights against gravity, solar radiation, strong winds, hard sleeping surface, malnourishment, dehydration, and Arizona's wide daily highs and lows. Also the tiring trips up and down the mountain. Then an early heatwave. Exposed, falling into illness, recovering, rising, depleting again. Incessant gravity, increasing heat. The duration and the way this music really beats down on the listener is like the elements beating down on these seekers. I was able to coax two exhausting square waves out of a 2K RAM potato. This work is quite different from the other projects in the series, in that I am not working through conceptual arrangements of traditional liturgical music.

This is a composition. My own liturgical dirge, dirge, dirge. The constraints of the Arduino helped me write this for Thorson and Christie’s sad tragedy.


Dirge for Ian Thorson and Lama Christie #6

Dirge for Ian Thorson and Lama Christie #7

Dirge for Ian Thorson and Lama Christie #8

Dirge for Ian Thorson and Lama Christie #9

Generative semi-random 2K RAM music for Arduino Uno FM Radio:

On February 11th 1935, Edith Peshak's cancer ridden corpse was given over to the Invisible Helpers, for the perfection of her soul. Washing of the body, the cold, dry climate, and the milk and egg enemas sustaining her vessel ultimately led to mummification. Her son alerted authorities, and eventually the followers of The Home of Truth moved on from necroaspiria to cremation. Edith's ashes were hidden in the canyonlands. Eventually a marker was placed in Idaho alongside her dear husband Elmer's final resting place. Marie Ogden's cult faded into history.

Painting the site of Edith's perfection with music indexing the inevitable slide from spiritualism into delusion, fascist affiliations, and lost hope for a new age as promised by a charismatic leader, these NFTs were recorded on location from the air waves, February 2022. The music is for the location, at the location. One hour and twenty one minutes in duration, generative music, each performance is a unique 1/1, in space and time.

https://youtu.be/HLvH7pUaxLo


Dirge for Edith's Perfection #1

Em 11 de fevereiro de 1935, o cadáver de Edith Peshak, cheio de câncer, foi entregue aos Auxiliares Invisíveis, para a perfeição de sua alma. A lavagem do corpo, o clima frio e seco e os enemas de leite e ovo que sustentavam seu vaso levaram à mumificação. Seu filho alertou as autoridades e, eventualmente, os seguidores de The Home of Truth passaram da necroaspiria para a cremação. As cinzas de Edith estavam escondidas nas terras do desfiladeiro. Eventualmente, um marcador foi colocado em Idaho ao lado do local de descanso final de seu querido marido Elmer. O culto de Marie Ogden desapareceu na história.

Pintando o local da perfeição de Edith com música indexando o inevitável deslizamento do espiritualismo para a ilusão, afiliações fascistas e a esperança perdida de uma nova era, conforme prometido por um líder carismático, esses NFTs foram gravados no local das ondas do ar, fevereiro de 2022. A música é para o local, no local. Uma hora e vinte e um minutos de duração, música generativa.

https://youtu.be/HLvH7pUaxLo


Dirge para a perfeição de Edith #2

Em 11 de fevereiro de 1935, o cadáver de Edith Peshak, cheio de câncer, foi entregue aos Auxiliares Invisíveis, para a perfeição de sua alma. A lavagem do corpo, o clima frio e seco e os enemas de leite e ovo que sustentavam seu vaso levaram à mumificação. Seu filho alertou as autoridades e, eventualmente, os seguidores de The Home of Truth passaram da necroaspiria para a cremação. As cinzas de Edith estavam escondidas nas terras do desfiladeiro. Eventualmente, um marcador foi colocado em Idaho ao lado do local de descanso final de seu querido marido Elmer. O culto de Marie Ogden desapareceu na história.

Pintando o local da perfeição de Edith com música indexando o inevitável deslizamento do espiritualismo para a ilusão, afiliações fascistas e a esperança perdida de uma nova era, conforme prometido por um líder carismático, esses NFTs foram gravados no local das ondas do ar, fevereiro de 2022. A música é para o local, no local. Uma hora e vinte e um minutos de duração, música generativa.

https://youtu.be/HLvH7pUaxLo

Dirge para a perfeição de Edith 3





Esta edição é apenas para eu presentear outros criadores de teia que eu gosto. Lamento não poder comprar todo o seu trabalho, mas talvez possamos compartilhar.

Em 11 de fevereiro de 1935, o cadáver de Edith Peshak, cheio de câncer, foi entregue aos Auxiliares Invisíveis, para a perfeição de sua alma. A lavagem do corpo, o clima frio e seco e os enemas de leite e ovo que sustentavam seu vaso levaram à mumificação. Seu filho alertou as autoridades e, eventualmente, os seguidores de The Home of Truth passaram da necroaspiria para a cremação. As cinzas de Edith estavam escondidas nas terras do desfiladeiro. Eventualmente, um marcador foi colocado em Idaho ao lado do local de descanso final de seu querido marido Elmer. O culto de Marie Ogden desapareceu na história.

Pintando o local da perfeição de Edith com música indexando o inevitável deslizamento do espiritualismo para a ilusão, afiliações fascistas e a esperança perdida de uma nova era, conforme prometido por um líder carismático, esses NFTs foram gravados no local das ondas do ar, fevereiro de 2022. A música é para o local, no local. Uma hora e vinte e um minutos de duração, música generativa.

https://youtu.be/HLvH7pUaxLo


Dirge para a perfeição de Edith 33 para amigos

I minted this for tz1hCxRC2wCy3UbKiud5VRAdZGYQpwjm4uKK imaginator.aon thank you for FORBIDDEN N FRUIT airdrop https://teia.art/objkt/693273 that is very cool

So I am going to surprise some people with you, oh and celebrate teia.art's .br origins too.

Dirge para a perfeição de Edith 31

Em 11 de fevereiro de 1935, o cadáver de Edith Peshak, cheio de câncer, foi entregue aos Auxiliares Invisíveis, para a perfeição de sua alma. A lavagem do corpo, o clima frio e seco e os enemas de leite e ovo que sustentavam seu vaso levaram à mumificação. Seu filho alertou as autoridades e, eventualmente, os seguidores de The Home of Truth passaram da necroaspiria para a cremação. As cinzas de Edith estavam escondidas nas terras do desfiladeiro. Eventualmente, um marcador foi colocado em Idaho ao lado do local de descanso final de seu querido marido Elmer. O culto de Marie Ogden desapareceu na história.

Pintando o local da perfeição de Edith com música indexando o inevitável deslizamento do espiritualismo para a ilusão, afiliações fascistas e a esperança perdida de uma nova era, conforme prometido por um líder carismático, esses NFTs foram gravados no local das ondas do ar, fevereiro de 2022. A música é para o local, no local. Uma hora e vinte e um minutos de duração, música generativa.

https://youtu.be/HLvH7pUaxLo

Dirge para a perfeição de Edith 31 11/11 airdrop

Generative semi-random 2K RAM music for Arduino Uno FM Radio: 

On February 11th 1935, Edith Peshak's cancer ridden corpse was given over to the Invisible Helpers, for the perfection of her soul. Washing of the body, the cold, dry climate, and the milk and egg enemas sustaining her vessel ultimately led to mummification. Her son alerted authorities, and eventually the followers of The Home of Truth moved on from necroaspiria to cremation. Edith's ashes were hidden in the canyonlands. Eventually a marker was placed in Idaho alongside her dear husband Elmer's final resting place. Marie Ogden's cult faded into history.

Painting the site of Edith's perfection with music indexing the inevitable slide from spiritualism into delusion, fascist affiliations, and lost hope for a new age as promised by a charismatic leader, these NFTs were recorded on location from the air waves, February 2022. The music is for the location, at the location. One hour and twenty one minutes in duration, generative music, each performance is a unique 1/1, in space and time.

https://youtu.be/HLvH7pUaxLo


Dirge for Edith's Perfection #30 minted at hen.hicathon.xyz

Dirge for Edith's Perfection #29 minted at glry.art

Generative semi-random 2K RAM music for Arduino Uno FM Radio: 

On February 11th 1935, Edith Peshak's cancer ridden corpse was given over to the Invisible Helpers, for the perfection of her soul. Washing of the body, the cold, dry climate, and the milk and egg enemas sustaining her vessel ultimately led to mummification. Her son alerted authorities, and eventually the followers of The Home of Truth moved on from necroaspiria to cremation. Edith's ashes were hidden in the canyonlands. Eventually a marker was placed in Idaho alongside her dear husband Elmer's final resting place. Marie Ogden's cult faded into history.

Painting the site of Edith's perfection with music indexing the inevitable slide from spiritualism into delusion, fascist affiliations, and lost hope for a new age as promised by a charismatic leader, these NFTs were recorded on location from the air waves, February 2022. The music is for the location, at the location. One hour and twenty one minutes in duration, generative music, each performance is a unique 1/1, in space and time.

https://youtu.be/HLvH7pUaxLo

Dirge for Edith's Perfection #28 minted at hen.nftbiker.xyz

Dirge for Edith's Perfection #27 minted on hen.teztools.io

Dirge for Edith's Perfection #26 minted on hic.af

Generative semi-random 2K RAM music for Arduino Uno FM Radio: 

On February 11th 1935, Edith Peshak's cancer ridden corpse was given over to the Invisible Helpers, for the perfection of her soul. Washing of the body, the cold, dry climate, and the milk and egg enemas sustaining her vessel ultimately led to mummification. Her son alerted authorities, and eventually the followers of The Home of Truth moved on from necroaspiria to cremation. Edith's ashes were hidden in the canyonlands. Eventually a marker was placed in Idaho alongside her dear husband Elmer's final resting place. Marie Ogden's cult faded into history.

Painting the site of Edith's perfection with music indexing the inevitable slide from spiritualism into delusion, fascist affiliations, and lost hope for a new age as promised by a charismatic leader, these NFTs were recorded on location from the air waves, February 2022. The music is for the location, at the location. One hour and twenty one minutes in duration, generative music, each performance is a unique 1/1, in space and time.

so you understand:
https://youtu.be/HLvH7pUaxLo


Dirge for Edith's Perfection #25 minted on hecticnun.xyz

Dirge for Edith's Perfection #24 minted on teia.art

Dirge for Edith's Perfection #23 minted on hicetnunc.xyz

Dirge for Edith's Perfection #22

Dirge for Edith's Perfection #21

Dirge for Edith's Perfection #20

On February 11th 1935, Edith Peshak's cancer ridden corpse was given over to the Invisible Helpers, for the perfection of her soul. Washing of the body, the cold, dry climate, and the milk and egg enemas sustaining her vessel ultimately led to mummification. Her son alerted authorities, and eventually the followers of The Home of Truth moved on from necroaspiria to cremation. Edith's ashes were hidden in the canyonlands. Eventually a marker was placed in Idaho alongside her dear husband Elmer's final resting place. Marie Ogden's cult faded into history.

Painting the site of Edith's perfection with music indexing the inevitable slide from spiritualism into delusion, fascist affiliations, and lost hope for a new age as promised by a charismatic leader, these NFTs were recorded on location from the air waves, February 2022. The music is for the location, at the location. One hour and twenty one minutes in duration, generative music, each performance is a unique 1/1, in space and time.

https://youtu.be/HLvH7pUaxLo

Dirge for Edith's Perfection #19

Dirge for Edith's Perfection #18

Dirge for Edith's Perfection #17

Dirge for Edith's Perfection #15

Dirge for Edith's Perfection #14


On February 11th 1935, Edith Peshak's cancer ridden corpse was given over to the Invisible Helpers, for the perfection of her soul. Washing of the body, the cold, dry climate, and the milk and egg enemas sustaining her vessel ultimately led to mummification. Her son alerted authorities, and eventually the followers of The Home of Truth moved on from necroaspiria to cremation. Edith's ashes were hidden in the canyonlands. Eventually a marker was placed in Idaho alongside her dear husband Elmer's final resting place. Marie Ogden's cult faded into history.

Painting the site of Edith's perfection with music indexing the inevitable slide from spiritualism into delusion, fascist affiliations, and lost hope for a new age as promised by a charismatic leader, these NFTs were recorded on location from the air waves, February 2022. The music is for the location, at the location. One hour and twenty one minutes in duration, generative music, each performance is a unique 1/1, in space and time.

https://youtu.be/HLvH7pUaxLo

minted for @NFTgallery @twitter

Dirge for Edith's Perfection #13


On February 11th 1935, Edith Peshak's cancer ridden corpse was given over to the Invisible Helpers, for the perfection of her soul. Washing of the body, the cold, dry climate, and the milk and egg enemas sustaining her vessel ultimately led to mummification. Her son alerted authorities, and eventually the followers of The Home of Truth moved on from necroaspiria to cremation. Edith's ashes were hidden in the canyonlands. Eventually a marker was placed in Idaho alongside her dear husband Elmer's final resting place. Marie Ogden's cult faded into history.

Painting the site of Edith's perfection with music indexing the inevitable slide from spiritualism into delusion, fascist affiliations, and lost hope for a new age as promised by a charismatic leader, these NFTs were recorded on location from the air waves, February 2022. The music is for the location, at the location. One hour and twenty one minutes in duration, generative music, each performance is a unique 1/1, in space and time.

https://youtu.be/HLvH7pUaxLo

minted specially for atezorless

Dirge for Edith's Perfection #12

Dirge for Edith's Perfection #11

Dirge for Edith's Perfection #10

Dirge for Edith's Perfection #9

Dirge for Edith's Perfection #8

Dirge for Edith's Perfection #7

Dirge for Edith's Perfection #6

Dirge for Edith's Perfection #5

Dirge for Edith's Perfection #4

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
1 of 15 unique versions

Our Valley Community Death Cult FM #1

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
2 of 15 unique versions


Our Valley Community Death Cult FM #2

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
3 of 15 unique versions


Our Valley Community Death Cult FM #3

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
4 of 15 unique versions

Our Valley Community Death Cult FM #4

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
5 of 15 unique versions

Our Valley Community Death Cult FM #5

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
6 of 15 unique versions

Our Valley Community Death Cult FM #6

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
7 of 15 unique versions

Our Valley Community Death Cult FM #7

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
8 of 15 unique versions

Our Valley Community Death Cult FM #8

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
9 of 15 unique versions

Our Valley Community Death Cult FM #9

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
10 of 15 unique versions

Our Valley Community Death Cult FM #10

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
11 of 15 unique versions

Our Valley Community Death Cult FM #11

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
12 of 15 unique versions

Our Valley Community Death Cult FM #12

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
13 of 15 unique versions

Our Valley Community Death Cult FM #13

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
14 of 15 unique versions

Our Valley Community Death Cult FM #14

Generative semi-random 2K RAM music for Arduino Uno FM Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
15 of 15 unique versions

Our Valley Community Death Cult FM #15

Semirandom 2K RAM music for Arduino Uno Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
Eleven Edition

Our Valley Community Death Cult #11

Semirandom 2K RAM music for Arduino Uno Radio:
Vocoder Intro
Dice Dirge (take your chances)
Harmonic Dirge
Final Dirge for the willful Covid dead
One of a kind version

Our Valley Community Death Cult #10

Our Valley Community Death Cult #9

Our Valley Community Death Cult #8

Our Valley Community Death Cult #7

Our Valley Community Death Cult #6

Our Valley Community Death Cult #5

Our Valley Community Death Cult #4

Our Valley Community Death Cult #2

surge-house-splits

Side One:
SURGE PROTECTOR
“Soft Velvet in Black n White”

Side Two:
HOUSE OF THE MODEL
“i<3Vμ (beta 1)”

This split mint features analog work by Surge Protector and House of The Model, in video and audio formats, respectively. Video for “Soft Velvet in Black n White” was recorded in December 2022. Audio for “I<3Vμ (beta 1)” was recorded in October 2022 and is the first half of a 15-minute mono tape recording. 

A second split mint will be released (#222) with the second half of this recording along with "Soft Velvet in Dull Fragrance" by Surge Protector.

Background:
In 1966, the December issue of Aspen Magazine featured Andy Warhol as guest designer and included a 7 inch flexi-disc, or split 7-inch vinyl recording. This record had “White Wind” by Peter Walker on Side One and “Loop” by The Velvet Underground on Side Two. “Loop” was the first half of a 15-minute long recording made by John Cale using guitar feedback and sampling techniques available at the time. The last groove of the record was ”purposely left open” so that endless repetition was possible. 

The idea for the current “split mint” arises not only from Cale’s masterful use of distorted feedback and repetition, but also the format and history of the split 7-inch vinyl recording itself. On a split 7” one often finds two different works by two different artists, one on each side of a single, circular piece of polyvinyl chloride. Limited copies are usually made available. The split-release also facilitates the exposure of one artist’s work to friends and followers of another, and vice versa. Interestingly, Tezos technology offers something along similar lines; in some ways an even closer proximity of different works, and from different mediums, is permitted, as with the present release. Though it scarcely needs to be pointed out, separate or simultaneous experiencing of both “sides” of this split mint is possible.

SURGE PROTECTOR / HOUSE OF THE MODEL SPLIT MINT #111

wozuberlin

Na wow ooh, I realize say de earth start dey move under my feet, fear catch me, I dey inside de dance of Trouble ooh, both feet and my head feel am but e no keep wey we realize say na WOZUBERLIN sound ooh. Enjoy well well ooh.

Fear Catch Me

Yes ooh, some pipo wey go witness di distinguishing features of WOZUBERLIN sounds oooh, wey pipo fit recognize over and over again, even have di ability to feel am, if pesin dey touch, na black, but go turn green ooh. 

It Was Quite Different

Many wey believe say dem dey do right, make them trow the first stone. I go tell you say, follow the Sound, sometimes it dey treat patients wit chronic pain wey dey tolerant to sweet new music, no go divert for abuse sound.

No Chances Oooh Baba

720_fshrp_harmonic_minor442hz (⁠⊃⁠｡⁠•́⁠‿⁠•̀⁠｡⁠)⁠⊃

716_e_harmonic_minor442hz ⊂⁠(⁠(⁠・⁠▽⁠・⁠)⁠)⁠⊃

669_b_lydian440hz ┌|o^▽^o|┘♪

668_ashrp_phrygian440hz (*ﾉ・ω・)ﾉ♫

mprv091dfltmixolydian440hz (θ‿θ)

661_bflt_phrygian440hz ♪┌|∵|┘♪ 

649_aflt_mixolydian432hz -ᄒᴥᄒ-

rangga_purnama_aji

This track is the rearrangement of an old untitled live-coded music piece. The intensity buildup within this track might suggest a "spicy" aural sensation, which later is taken as the title of this piece. // Composed and recorded by Rangga Purnama Aji, 2022

Spicy Pulses

https://soundcloud.com/sndcld_cha/2022_04_19_11_46_02ashrpmnr
@twt_cha_

563_a#_minor (•ө•)♡

ZERO ONE AND SO ON (2022) // This album consists of 7 musical compositions that were made using live coding technique, sound collage, and automation. This album interprets the flow of life that begins from nothing into a thing and so on, creating various possibilities and forms that we could perceive today. // Tracklist: 1. Broken Syntax (00:00) 2. ZERO ONE (03:02) 3. TakTungPang (05:57) 4. Pointillistic Oddities (09:20) 5. Anticipated Shriek (11:05) 6. Dig (13:33) 7. Reformed (20:23) // Composed and recorded by Rangga Purnama Aji

ZERO ONE AND SO ON (Full Album)

darskel

Sweet Spring

ktnuttne

Melting the time crystals, getting rid of impurities  

Summer

marcelo.tez

Modular ambient patch, made on a rainy morning. The image is an experiment created with javascript and hydraojack. is a study of the rotation of the sphere
 


Orbis FM # 1

beernk48

Aladdin from India

dynalav

Title: Col0rl3ss

Producer: Dynalav 

File: MP3

File size: 4.74 MB 

Music composed by DYNALAV (Jesús Hernández) 

Col0rl3ss

Title: Bittersweet 

Producer: Dynalav 

File: WAV 

File size: 10.7 MB 

Music composed by DYNALAV (Jesús Hernández) 

Bittersweet

OnceIWasLoved

Hope is the shimmer in darkness that keeps us alive. It seperates lost souls from aspiring ones and grants a brighter future for us all. 

Genre: Melodic Techno 
BPM: 127
Length: 6m23s

Hope

c# minor

psilosamples

✨ this make part of the psilosamples series of ilustrative sound cards of generative lofi electronic music projects!!. new hot rhythms and melodies are coming... stay tuned.
Follow psilosamples and welcome to everyone ! ✨ 🍄

imaginator.aon

A special air drop from my +Duality Vol1+ collection.
Forbidden to all human, only children of light and the enlighten ones are allow to taste this holy fruit. 


FORBIDDEN N FRUIT

smokable

Krsh is the second audio-visual installation in the two piece collection "Into the Levant" series.
Original Music by Smokable. Original Artwork by Smokable.
2022.

cultcompound

Wallets